Naturally, no discussion on the Goddess Saraswati can be complete with music   
And her presence in the glorious, infinite ocean of Indian music is all pervading.     
Indian classical music and bhakti have always been the weft and warp of the same fabric and not just Hinduism     
It is said that the azan or the call for prayer sounded by the muezzin sounded very similar to raga Ahir-Bhairav    
The Sikh holy scripture, Guru Granth Sahib is divided into 32 chapters where each chapter has the name of a Raga.     
And the first Raga is Raga Sri     
Sri - The Devi’s most beautiful name that fits into it the entire universe and more it.     
Gauri    
Hemavati    
Durga    
Ambika    
Saraswati    
Kalavati    
All names of the Devi and all names of ragas.     
And almost like a musical Sahasranama, the ragas named after her have lent their magic to countless evergreen Hindi film songs.     
Here are a few    
Raga Bageshree    
Radha na bole na bole re. AZAD , Lata Mangeshkar/ C. Ramchandra 1955    
Chah barbad karegi – SHAH JAHAN K L Saigal/ Naushad 1946     
Aja re, paradesi – MADHUMATI Lata Mangeshkar/Salil Chowdhury 1958    
Ghadi Ghadi mera dil dhadke - MADHUMATI Lata Mangeshkar/Salil Chowdhury 1958    
Hamse aya na gaya - DEKH KABIRA ROYA Talat mahmood?Madan Mohan 1957    
Raga Madhuvanti/Ambika    
Rasm-e-ulfat ko nibhaye DIL KI RAHEN Lata Mangeshkar /Madan Mohan (1973)     
Raga Durga    
Geet gaya patharon ne - GEET GAYA PATHARON NE Lata/Ramlal 1964    
Raga Kalavati    
Hai re woh din kyun na aye - ANURADHA Lata/ Pt. Ravi Shanker 1960    
Kahe tarasae jiyara - CHITRALEKH Lata/Roshan 1964    
Koi sagar dilko bahalata nahin – DIL DIYA DARD LIYA Naushad/Rafi1966    
Na toh caravan ki alash hai –BARSAAT KI RAAT Roshan/ Rafi, Manna Dey,Asha Bhosale/Sudha Malhotra/Batish 1960    
And of course, Raga Bhairavi.     
The raga that gave birth to the glorious musical collaboration of Raj Kapoor with Shankar – Jaikishen in the film Barsaat in 1949. It also made the till then unknown Lata Mangeshkar into a household name with the song "Barsaat mein humse mile tum."     
Awaara hoon from Awaara (1951).     
Mera joota hai japani, Pyaar Hua Ikraar Hua and Ramaiyya vastavaiyya from Shri 420 (1955),     
Mera Naam Raju and Hoton Pe Sachhayi Rahati Hai from Jis Desh Me Ganga Baheti Hai (1960).     
Bol Radha Bol Sangam Hoga Ke Nahin and Dost Dost Na Raha from Sangam (1964)     
All based on raga Bhairavi    
The list of Bhairavi based Hindi film songs is a Sahasranama itself. Accomodating – like the Devi – every kind of music director, every kind of film, every nuance of emotion, every shade of mood. Everything from Ai Mere Dil Kahin Aur Chal from Daag (1952), one of Talat Mahmood's greatest hits to April Fool Banaaya (April Fool (1964)     
Saraswati, most popular as the Goddess of learning and the arts, actually represents much more.    
tranquility,     
purity,     
tolerance,     
moral and spiritual strength,    
concentration     
eloquence.     
And as the river Saraswati, she represents the flow and movement from the darkness of ignorance to the light of knowledge.    
Source;- Wikipedia and www.asavari.org/songs.html
Sunday, September 27, 2009
The Eight Night - A Raga and a Rain Song
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